Adorno, Hegel, and Dialectic

Music Criticism and Adorno

Résumé When thinking of Adorno and music criticism, two strategies suggest themselves. The one is to look at the kind of criticism, cultural criticism in general and music criticism in particular, propagated by Adorno. It is, after all, difficult to overestimate the degree of his influence on musical thought in the twentieth century (whether one agrees with his views or not) and of the intellec...

Hegel and Peircean Abduction

‘Abduction’ was the term Charles Sanders Peirce used in his later writings for a type of inference that he had earlier called ‘hypothesis’ and that is now commonly called ‘inference to the best explanation’. According to Peirce, abduction constituted, alongside induction, a distinct second form of nondemonstrative or probabilistic inference. Especially in his later work, Peirce conceived of abd...

Readings of Adorno with Tarkovsky and Haneke

Hegel , Lutheranism And Contemporary Theology

ion of the metaphysical concept of divine being is thus overcome, and the concrete unity of God as Spirit for Hegel, the trinitarian conception is ultimately embraced. What is thus advocated, and what emerges ultimately from this Calvary of absolute Spirit, is meant to be a deeper and purified conception of God. The result is that spiritual transcendence is no longer distinct from immanence, bu...

Gesture and Language Dialectic

A classic psycholinguistic problem is parole; in its modern formulation, performance . This paper looks at aspects of parole or performance from a new direction, arguing that it is organized as a dialectic of unlike cognitive modes, a dialectic of gesture imagery and language. This dialectic is the key to the evocation, organization, and ultimate execution of meaningful actions shaped to take l...